first 500 copies on brown marbled vinyl

infrastructure is proud to introduce the debut record from campbell irvine, the 23 year-old outsider talent who hails from australia and has recently re-located to berlin. part industrial mantra, part musique concrete, this immersive and captivating debut continues infrastructures re-launch, bringing genuine new talent to the table.

the debut album by redredred, a contemporary artist from san francisco. michael wood, formerly of duo primary colors, began this project in 2012, taking inspiration from front 242, einsturzende neubauten, throbbing gristle, nietzsche and sartre. wood utilizes a simple setup of vintage analog synthesizers and drum machines, and records them on reel-to-reel

the constant state label launches in style with a record from ian blevins & phil moodys al gobi outfit, who had something of a breakthrough 2013 with releases for disco bloodbath, rothmans, culprit la and audio parallax. while the original mix of a cup of tea is dark and unsettled - beautifully balanced bass notes and piano cutting through heavy, storm-pregnant air, cottams accompanying remix is the distillation of a second wind. his tribal, twisted, acidic treatment of this 3am concrete bunker anthem never overwhelms the piano refrain, instead giving it a new life, like the ghost of a party suddenly bequeathed fresh purpose as tired legs find boundless energy.

this is the first release of the low awaited sampling as an art label. owned by parisian house artist s3a, the four tracks of this ep are merging the 4 aims of the concrete parties resident: dynamism, musicality, groove and aliveness. after several years of active productions on labels as phonogramme, hold youth, 4lux, concrete music, local talk and faces records, s3a decided to make is own structure to promote his vision of music and produce the artists he loves. lets welcome this truly ethical label!! >looping strings< and >seekin sunshine< are two feet stomping anthems, with massive sampled themes. >the first year< and > the 4th <are more musical and emotional beautiful productions. this ep is very personal and is released to last decades!

nice price deal !!! recit records second release entitled first recitation is a compilation introducing tracks from label family artists.sabine macher a german poet living in paris, kassian troyer a sound engineer and producer from berlin havingreleases on dial records, antony martz a brand new french artist, the japanese electonica duo velveljin, ooscoand ysée the founders of the label, masahiko takeda a young japanese dj and producer, and the anonymoussound artist ollr fameck.the first track of the compilation, voina i mir sans je, (extrait) from sabine macher, is a simple sound poemwhere she reads some passages from her own unpublished text. swinging between personal stories andabstractions, recorded in her apartment in paris, it sounds like an imaginary recitation involving tensions betweenthe things around the poet.the compilation continues with the production of kassian troyer, zasso, a deep but refreshing abstract technotrack. having well-thought subtle layers of synthetic and concrete sounds with electro acoustical approaches, thetrack describes a very organic and warm sound texture...

maeve label honcho the drifter and co-emperor of the permanent vacation kingdom, benjamin fröhlich, team up for some rascal business. always quick to pull the sling shot out of the back pocket and hit you right between the eyes, the original version of -waterville- is full of hazy melodies, washed out bells and quirky arpeggios backed up with concrete drums for some extended dancefloor meditation. while the high tide mix wraps things up a bit with some more prominent drums and a little extra spice on the bassline. mysterious uk producer a sagittariun sculptures out of the original a breakbeat house track, that sounds like a hidden treasure from this short but influential period.

all songs are remastered for vinyl by george horn at fantasy studios in berkeley. the vinyl comes housed in a glossy jacket with an unreleased photo of the band. each copy includes a reproduction of a promotional poster with lyrics from 1981 designed by mike coles, the malicious damage house artist responsible for the labels iconic album and single covers.

the explosive initiation of one electronicas -1210- series comes from ann harbours d marc cantu. the series will consist of one twelve inch and one ten inch vinyl. no mp3 s as per with one electronica and its main aims are to give the artist freedom to do what ever he or she wishes! the extensive palate of sounds available on this pack range from slower ambience influenced grooves, outright -jak-, industrial grit pursuing to intense, pace-ridden, electronic mayhem, as heard in microdots

quality house music with that b-boy feel that will set all floors on fire! dont sleep! limited vinyl copies only. here we go! new tasty sampler on faces records featuring s3a (concrete, paris) & creative swing alliance (mcde, wolf music) as well as 2 newcomer producers aurelian aka km3 (from paris) & 4004 & sebastien vorhaus (from mexico)

second and limited yellow wax from minimal kids. a continuity of the first ep for your hearing pleasure, living room, vinyl walkman or dance floor.

after having spent most of his time with house to the people voiron decided to dedicate himself to his solo project. being a fan of the braindance scene and the reflex & warp records of the early years, voiron tries to follow the footprints of his idols (afx, dopplerefekt, lfo, global gon). all these influences lead him to produce an electronic music uninhibited from zero to one milliard bpm.this is with the support of artists like photonz (one eyed jacks) and meetings with his cyber friends minimum syndicat, le matin, daxyl, glass figure - that voiron was encouraged to produce music 2 years ago. releasing his last ep on concrete music and the following one on cracki records in april, you will have difficulty avoiding him and his tb clone in a near future

vinyl only - played already by moodymann !!!!!!!!
once again showing their appreciation for forward-thinking music and supporting think-outside-the-box sounds, the latest ep on hold youth opens up the boundaries of electronic music and offers something more. the opening track sample n 909 has been injected with pure funk and sets the scene for the rest of the release, which maintains that groove throughout. well selected vocals can be found in the soulful harmonising of those voices or the smooth-speaking that makes rainbow slices the most mellow of the package. ending the b side with no more pretty, a joint stripped down to essential kick and high hats, you can feel the full strength of the funk once again as the jazzy keys enter… s3a is a breakthrough dj/producer from paris and resident of the illustrious concrete parties.

after 2 albums for eat concrete, belgian/italian duo lumisokea deliver their debut ep for stephen bishops opal tapes label.

santorini comes back on out-er with a superb release! this ep is deeply oriented to house with broken beats patterns and techno infuences. the tracks are truly inspired from uk sounds, always preserving a dancefloor attitude thanks to their grooves and arrangements. they come from santorinis solid dance attitude. his renowned ability to combine concrete and abstract together brings this ep to be on the top of santorinis productions.

for this release, miguel lobo from spain (8bit, cécille, brise records...) and psyko loco from paris (cadenza lab, limonada, minibar, malo…) delivers > scarlet fever<, a very nice groovy and hypnotizing house track, with some bottles percussions and strange summer voices. people will surely lost themselves in this tribal beat :)sucré salé (cocobeach, karat, paris) remix is a pure deep house remix with a nice distort atmo pad and crazy effect on original voices … lowris (concrete - paris) remix is perfect for after or minimal set with hypnotic textures. support by brothers vibe, loco dice, richie hawtin, timo maas, mirco violi, andre butano, chris carrier, cesar merveille, okain, kabale und liebe, sam paganini, fex, yaya, paco osuna, tripmastaz, toni rios, karotte, francisco allendes, nima gorji, jerome pacman...

with france’s long-fallow club scene back in international resurgence as paris storms back into fighting form, europe now has found a new source for yet-unheard music. it was a long time brewing, but names like concrete, katapult, zadig, and society of silence, have begun to appear in the international clubbing circuit, and the growth is not limited to the capital. further south in lyon, a city quickly gaining its own renown for busy club parties booking bigger names, there exists a smaller circle of energetic operators whose name is also spreading rapidly and whose recent accomplishments include nuites sonores, boilerroom and more.

wanda group, aka louis johnstone, is the latest artist to release a record with notown recordings. an artist who *creates beautiful, decayed landscapes of tape crackle, hiss and distortion* (the quietus), the music of wanda group is an other-worldly collage of sounds that touch on musique concrete and other forms of oblique, densely beautiful sounds.

there is music that is made from the outside looking in. the textures are vibrant and the beats bang, but there is a hollow radiance at the core. it is pantomime. then there is los angeles alfred darlington aka daedelus, who has released a dozen albums in a dozen years straddling countless sub-genres. they are united by his insistence on letting his emotions guide the blueprint. if you have listened to his music, you understand. there is a balance between the direct and the obtuse that cant be articulated in words. this is part of the subtext for drown out, daedelus most elegiac album. his debut for anticon is a heart-on-sleeve meditation devoted to loss, coded language, and the maddening failures of communication. and yet you can still bob your head to it.
the vinyl lp comes with code for download of the full album.

rare strictly groove #01 is the first chap. of a series of 12 inches which include the best unreleased tracks from artists already in the labels roster and very close friends. this v/a open with *waltz to share* by avenir, a quite old track from the very superb catalogue of our favorite producer from palermo. modern and fresh deep house, enriched by the beautiful voice of clara and some precise arrangements of space sounds and more vocals. also we find two tracks by salvatore stallone, one of the artist is influencing more at this time, with his unique and amazing jazzy touch and incredible eclectism. *etes* and *brian off* are both very concrete underground pearls, inspired by masterpieces of the past. but the main theme of this release is dedicated to *the king* by daughters & sons. some expert house rhythms and groove with his name looped in an involving memory.

arts is an independent label established in 2013 based on sonic dimensions. arts go forward with the immense talent of jonas kopp, no need to introduce jonas kopp anymore. the 4 tracks define the debut of jonas on arts in the best way possible. techno, concrete and functional.

welcome to enrique casals first solo ep on aula magna. through four bass-heavy cuts we are submerged into his spaced out dub-injected experimental techno world. each track unfolds itself through carefully designed beats and sounds programmed into four concrete ideas. dance-floor burner elenin is an energetic highlight from qiks latest live sets, and it kicks off a trek that concludes with the noise and glitch madness of arenos. in the middle, dekonst dives into the darker depths of the artists dub visions and cyclo combines stormy dub chords with a healthy dose of funkier breakbeats. more and more hidden layers of sound are discovered through each new listen. an unmissable experience.

we booked dj sotofett a few months ago for a versatile party at rex club. he decided to stay in paris a bit more, to work with gilb-r in the versatile studio. and here is the result! they jammed with zombie zombie, recording the infamous bongos of cosmic neman and the modular synths and saxophone of etienne jaumet. then each of them took the parts and did a version on his own. its the beginning of a collaboration, another 12 inch is planned and already recorded... peace

20 years of downwards ... enough said! pressed on translucent, slightly smokey marbled vinyl and delivered in a 350gm printed sleeve.

mindset celebrate their 15th release with a solid remix ep from djrum & asc. first in a series that will see some of the finest cuts from the mindset back catalogue reworked by the labels favourite producers. the a side shows djrum working his diverse range of influences and intricate production techniques in his epic 11 minute rework of synkros look at yourself from mindset008. on the flip, long time friend of mindset & head of the influential auxilary music label asc slows down the tempo from his usual 170 outings with a techno remix of szares leaning towers of concrete from mindset011

amsterdam local, ivory coast progeny and grime-juke-jungle gene-splicer, h-sik makes his black acre debut in rude style with two concrete-junglist chemical weapons. first up is the muscular drum workout *sonic rage* which layers a ridiculously powerful, yet deftly chopped 808-amen bombardment with delicate citric pads, bleeps and lost droideka language. on the flip is the orwellian *no promises* a natural pairing of vangelis atmospherics and committed drum-funk workout, building with undead voices and b-boy breakdowns.

round 4 at the dystopian camp! this time with alex.do, rodhad and felix k

gravetemple was formed in 2006 as a side-project of the band sunn o))) by oren ambarchi, stephen o malley and attila csihar. the group formed initially to tour in israel summer 06, creating several recordings which eventually became the holy down album, which was released on southern lord recordings in 2007. at the time of the israel tour, the lebanon war started and was in action. in summer 08 the trio reformed together with the addition of australian drummer matt skitz sanders for a short european tour culminating at a headlining performance at supersonic festival in birmingham. in late 2009 the original trio reconvened for a special one-off concert at londons institute of contemporary arts. april 2013 marks the first set of live action since that period, and a new chapter in the ongoing system of the related network.
ambient/ruin was created with the 2008 quartet, elements of tape collage, concrete, field recordings blend within a strong geographically diverse (parts were recorded in japan, australia, paris and israel) suite of heavy minimalist/maximalist music, black/death metal and drone. the culmination of these efforts become the music, literally, of sadistik exekution meeting phill niblock.

dab hands first vinyl release brings together a range of housed up summer grooves to fit most sections of a discerning disco selection. from the slower building deep disco delight of what you gonna do to the percussive rare grooves of mood 2 groove and heavier work out of concrete boogie. a fine start for dab hands on vinyl.

for this very special va project, amazing records showcases some prime techno artists in a 4 tracker that sees them all sharing the credits and taking on each other s music at the same time.

limited edition of 500 copies on white coloured double 12 inch vinyl.

miles has been releasing material on modern love for a decade, first as one half of pendle coven, then on his own as mlz, and eventually pairing up with sean canty to record as demdike stare. in between he has also pursued more experimental terrain under the suum cuique moniker, produced jungle for the hate project and (together with andy stott) taken on the occasional release as millie & andrea for modern love sublabel daphne. he is also an admired, exhilarating dj, his sets have been known to span a broad spectrum of electronic music, from the obscure uk techno of labels like radioactive lamb and irdial, to classic chicago house, detroit techno and - most importantly - early 90s jungle and breakbeat, feeding into his love of the most uncompromising end of the italian experimental movement, musique concrète, synthwave and contemporary noise.

raw joints vol 2 with more phunked up chicago house madness !!!

after the quick sold out from superb recordings tom joyce here we go back on new tunes. markus masuhr serves us a great tool for the concrete techno dj ready to take thecrowd on a journey with two epic tracks (tamur 11min, tamur salth 12min. his markable sound for the bigdancefloor taking the rough with the smooth from scandinavia to russia. mastered by cgb dubplates & mastering berlin. limited to 300 black & 100 greymarbled copys that including a poster signed by the artist.

van bonn returns after his release maserung on telrae in april 2011. van bonn has been in the studio a lot since then and has worked on a number of tracks that are highlighted here. onwards i is an excursion into sound. it starts with sounds that interact in a subtle way but then as if by magic, suddenly it rises to a much higher energy level, almost pulling you by the hair. chords now kick in with the full force of brutality, like the strikes of london’s big ben and then you’d think the track will just burst. van bonn makes another turn before he lets the drums break loose. it seems as if van bonn is taming the brutality and direction of his electronic machines. abstract now meets the concrete and whoever wins the fight is up to the listener to decide. the first remix comes by raffaele attanasio who has had considerable success with der pianist and i m a jazzman and has collaborated with trapez ltd artist mihalis safras, a. trebor (trapez), as well as claude young, nic fanciulli and has shown his versatility throughout the last 3 years. juan atkins recently featured raffaele attanasio remix of no mans land by a. trebor in his charts.his remix for van bonn keeps up a strong beat programming right from the beginning. a beat monster so to speak is alive from the beginning and kicking. the track is written in a style that shows expansion and contraction and through that shows an organic breathing quality.

primitive world music lurks in the shadows of the weirder, experimental side of the dance floor - juddering bass, knocking kick drums, dropouts and pops and scuzzy, fizzing synth lines alongside the jacking percussion. think morton subotnick meets marshall jefferson - this is house musique concrete.

following the s_w_z_k debut album, which came out on tresor records before the summer, david brown offers here further insights into the most recent developments of his new departure. receiving the help of long-time collaborator and friend richard davis, the duo continues its dive into the concrete and metallic landscapes found on their eponymous lp effort. the variant & empires ep however marks somewhat of a slight departure from the obscure experimental investigations previously undertaken. tc4 variant is a roaring number, aiming specially at the dancefloor and taking the duos energy to its highest point, while second city of the empire intimately unveils the deeper side of their enterprise.

a tough stripped down beat and a howling wind of feedback tell the story of outburst. like a raging tornado it destroys everything in its path leading to total mayhem. a stripped down hypnotic pumping techno killer. desicate is the polar opposite of outburst. deep, melodic and sympathetic. fell the sadness as the earth screams out for humanity to halt its total destruction. outburst (another viewpoint) thundering offbeat toms carry the groove and build to a powerful crescendo as the feedback takes its hold the flood raises the levels again with an unrelenting torrent of unstoppable ferocity. words - dave ellesmere - support from samuli kemppi, chris liebing, marcel fengler, norman nodge, dvs1, henning baer, max m, arnaud le texier, dimi angelis, jeroen search, puresque, exium, inigo kennedy, audio injection / truncate, concrete djs, rebekha, juho kusti karhunen, lucy, brian zentz, electric indigo, dj hyperactive, pfirter, tom bonaty (prologue), etc

accidental records is set to release a new ep from dave aju on 12 inch vinyl. the san francisco based producer who has released multiple eps and albums on cult dance label circus company and has remixed some of the most sought after tracks such as nicolas jaars >space is only noise<, is about to release his first ep on matthew herberts accidental records.
for over a decade the us west coast innovator has been producing and performing his unique brand of electronic dance music. he seasons the rhythms of house and techno with an array of outside musical influences - notably jazz and p-funk, a low-slung aesthetic clearly rooted in hip-hop, and a sonic approach akin to music concrete. the result is a fresh and expressive sound that varies from raw and percussive to deep and melodic and is favored by an ever-increasing number of listeners, dancers and djs around the world.

a long time coming, the first ep from the mysterious duo bernadott finally reaches us. the golem first heard those tracks last summer and noticed his body was moving beyond his control! he therefore decided he should immediately enroll these beat-smiths before the competition took notice. introducing bernadott, the roof of love ep showcases the talent of two underground producers hailing from paris and stockholm, two diggers of the highest order, immersed in musique concrete, italo, free jazz, punk, chicago house and such, two djs devoted to tension, hips & shoulders. with upcoming releases on high profile labels, the golem proudly takes them to the forefront first, unleashing their highly original and leftfield take on the dancefloor. on side a, bernadott turns a white funk forgotten gem, expands it before turning it into a gherkin-esque acid burner with unexpected nods to juke, subtly returning to its post punk roots before you even notice. the golem also wanted to have a nice tune to share with his girlfriend, and he got his wish with side b, another post punk affair autistically turned into a dubby madchester piano choon, a quasi absurd but groovy breezy love song

anonymous production unit szare return with three fresh cuts for manchesters mindset records. critically acclaimed releases for the equally shadowy horizontal ground imprint, bristols idle hands and the berlin based krill music amongst others have seen szare embed themselves firmly in the techno landscape, finding a receptive audience for their unique blend of bass heavy, tribal dissonance or in their own words, sounds that are eerie, lazy and chewy.

audio tagz inspired by graffiti street art & translated into tones as they tag your eardrums. these throw ups are their signatures, as they take you on an adventure of techno, beatdown, deep house & experimental sounds.

we are very exited to present two tracks that our danish resident artist mathias mesteno has send us. mathias has been part of the upon you family since day one. he occaisionally also released his classic and still very individual formed house tracks on freerange and tic tac toe records. if you count his collaboration with our uy boss marco resmann, then here comes his fifth release on upon you! the boulevard confessions ep comprehends two tracks. on a1 he is cooking in kekes kitchen an outrageous whorled open air slammer, which cant wait to be initiated on the beaches around the world. the b side- the concrete boheme seems more calm but finds its use and purpose as a deep-house track in the forests of modern styles. like always mathias suddenly rolls up the beat and is sure to surprise the consumer with unlikely rhythm variations. uy 062 in the house!

last time out, much love impressed djs and record buyers the world over with a sought-after 12 inch featuring tracks from james johnston, bartellow, roman rauch and label owners alkalino & alphabet city.
for the label s third release, much loves bossmen take a backseat and hand the reigns over to a quartet of emerging and up-and-coming production talents. the results are, thankfully, every bit as intoxicating as previous releases.
four tracks, four hot talents, four killers. much love all round.

if you didnt go - the follow-up to the breakout debut >concrete waves< and the second single from wax poetics artist kendra morris — delves deep into lush and slick terrain, anchored by a unique funkiness that recalls the glory days of 70s radio and sunny blue-eyed soul.

moan is ready to rock the floor with this amazing ep signed with the duo larry peters and miguel lobo.original tracks with nice and melodic perc groove and amazing vocal shot, great to be played in every moment! re-up duo on their reshape keep the funky mood of the voice adding a concrete and rolling rhythm, a dancefloor killer tune!the second remix is by the famous jordan peak, with a solid, locked in groove and plenty of well-defined, silvery tech house percussions.

vaetxhs inaugural release libet tones for detroit underground draws on both musical themes - electronic idm and musique concrete - and non-musical themes from mathematics, resulting in four labyrinthine tracks that are studies in free association, a state in which ideas float from the unconscious to the conscious. record sleeve design by dmas3. pressing on brown, multicolour-marbled vinyl.

the irresistible electronic trio formed by antonio pecori stefano meucci and andrea giacchetti mainly known as the clover strikes back on bosconi records with another strong 4 tracks ep. after an year spent into researchin and experimenting in their own studio, jammin for hours like a proper band as they are, using analogue machines, freaky instruments and concrete sounds, our lovely boys, always keepin their distinctive funky n groovy attitude, turned the page of their past west-coast inspired funky house vibe and changed the way of seeing club music into giving life to a completely new, fresh and personal house style. the whole ep sounds like house music influenced by post rock bands like tortoise and kraut legends like can and this 12inch is an absolut winner that sees on a side the psychedelic tribal funk of goodies while on the second cut theres the subliminal mood of wandering souls, b side instead goes more spiritual and rockin thanks to the manipulated percussive trip of find yourself and the darkdroning session of amsterdam house don san proper remixing goodies. a real four season ep!

rising from the south coast uk techno scene, rich jones has been mastering his sound for nearly a decade. producing hardy, hypnotic techno for labels such as reset robots roomba music and alan fitzpatricks 8-sided dice label he has found his productions been played by the likes of richie hawtin, derrick may, adam beyer, slam and funk dvoid to name but a few. his soma 306 debut begins with depthcharge, an instantly grabbing warehouse vibe emphasised by a falling synth over a solid sub-bass foundations. the concrete roots of the track are supported by a horn-like melody which explodes into a mainroom techno workout.